BOOK REVIEW: The Diary of V. Frankenstein By Steven J Guscott

A slim volume that really packs a monstrous punch, The Diary of V. Frankenstein is a great achievement, writes TopReviews4U editor Paul Christian. 

Moving on the Frankenstein story in the finest traditions of the original this Steampunk reawakening of Mary Shelley’s masterpiece is a triumph.

Shelley’s proto-feminism is brought up to date in the alt-reality/Gothic horror reimagining.

It centres on the monster and his mate’s life and their brutal conflict with the human world.

Written in an engaging diary format as the title suggests it is a perfect read, which can be done in bite-sized chunks, or read through on a train or plane journey.

Speaking about the short story, Steven said: “It is an alternate-reality, Gothic/horror, steampunk, sci-fi with the main theme being feminism.

“That's a lot of genres in one story, but it appears to work. 

“This adaptation was originally a short story, which can be found in the published Charity Anthology 'Strange Tales From The Scriptorian Vaults.'

“Quite a number of those who read the Anthology said my story was their favourite so I decided to expand it into this novella.

“I really believe this is a retelling that people will find very interesting as it touches on themes that are important, plus there is some really captivating plots.”

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BOOK REVIEW: The Rivals of Dracula - Stories from The Golden Age of Gothic Horror

Think of vampires, you think of Dracula – at least you would have done before TV shows like True Blood brought the genre hurtling into the modern era.

But it is because of the success of Dracula that an obscure, mainly Slavic, piece of folklore has endured so long.

But Bram Stoker's bloodsucking blueblood was not the first exsanguinating fiend to stalk the fictional landscape.

Nick Rennison, pictured below, illuminates a dank corner of vampire lore before and contemporary to Stoker's opus, with fangtastic fables from so-called 'penny dreadfuls' and short stories consumed by a voracious, newly-literate 18th century audience.

Rennison's ability to contextualise and then let the obscure writers do the talking in this terrific anthology is a real triumph.

It blends fact, fiction, history and legend in a darkly spellbinding 287 pages, which touches on themes such as sexuality, hysteria and primal fear.

 

The book features virtually unheard of delights like MR James' Count Magus, Richard Marsh's The Mask and Frank Norris' Grettir at Thornhall-stead.

The many faces of the vampires in the anthology show archetypal fanged eastern European noble is not the only embodiment of a supernatural idea, which goes back to ancient history.

Count Magus explores the dangers of meddling with and prying into history, a theme which Dracula also used with the conflation of Dracula with Vlad Tepes, or Vlad the Impaler as he is infamously known.

Vampire legend is shown in the context of Norse mythology in Grettir at Thornhall-stead as an undead Icelander fights with Viking heroes in the days of the sagas.

The calm and calculating Count Dracula is also a million miles from the homicidal maniac portrayed in The Mask.

This book is a must for anyone with a penchant for the supernatural and a thirst for Gothic horror.

• The Rivals of Dracula – Stories from the Golden Age of Gothic Horror is published by No Exit Press (@noexitpress) and priced at £9.99 (also available as an ebook). For more information click here